2025

Icons made for the rebrand of the National Church of Iceland – intented to make people feel more welcome wherever they are on the religious spectrum. Each icon stands for a Christian value. On the church's website visitors can make their own cross based on their personal values.

2025

100 illustrations for as many stories by Eiríkur Jónsson. The illustrations were intented to add a twist to the stories.

2025

A riso-printed handbook (110x165 mm) by Chanel Björk Sturludóttir and Miriam Petra Ómarsdóttir Awad on prejudice and racism. The publication was distributed in elementary schools in Reykjavík.

2024

Illustration for the exhibition, Lend me wings. Vigdís Finnbogadóttir – life and impact, a collaboration between The University of Iceland and The Vigdís International Centre for Multilingualism and Intercultural Understanding.

2024

Visual identity for a group exhibition of emerging artists in Reykjavík Art Museum.

2023

Island Fiction is a kind of a ticket to Surtsey, a remote island that is off-limits for general visits and can only be accessed for scientific research. Within its pages, you'll discover both artwork and the travelouge of Þorgerður Ólafsdóttir, who was granted special permission to visit the island and capture it through the medium of art. Additionally, the book contains insightful scientific essays authored by women in the fields of archaeology and environmental studies, shedding light on their unique encounters with the island.

2023

Graphic design and illustration for the strike of women and non-binary people in Iceland.

2022

Núningur is a poetry collection that contemplates perception, measurement, and interpretation, and the friction between nature and man-made objects and ideas. Time and routine are resisted while a hidden shortage is sought. Dust swirls and words do not survive.

2021

Illustration for HO21 Nike ACG Campaign. I made a character that was supposed to capture the magic and curiosity of Icelandic nature.

2021

Watercolor and ink illustration for Universal Thirst, type foundry specialising in Indic and Latin scripts. Based in Bangalore and Reykjavík.

2021

Graphic design and illustrations for Mobile Home, record by GusGus. The illustrations made for each single ended up forming a strange but captivating place, kind of a psychedelic desert.

2021

Graphic design for Tumi Árnason's record, Hlýnun (Warming), a piece that addresses our current existential threat, the climate crisis, through free jazz and experimental improvisation.

2019

Gombri lifir is a stand-alone sequel to Gombri, a graphic novel about a mysterious creature who lives in a dangerous world that does not care about Mother Earth’s fate. Gombri lifir is a poetic graphic novel about urgent responsibility, justice and greed.

2018

“I feel like something has been taken away from me – something I’m not sure I ever had.“ Glingurfugl is a graphic novel which lyrically and quietly tells the story of two birds, Margrét and Eva, on a journey to retrieve their memories and discover who they really are in a mysterious world that is hostile to birds. Glingurfugl is published in 200 copies, comprising 64 pages of watercolours and ink drawings. It is a standalone sequel to Gombri (2016), a graphic novel by the same author, and introduces new characters to the multifaceted world of Gombri.

2016

Gombri is a graphic novel that tells the story of Gombri, who has grown tired of the gloominess surrounding him and so decides to abandon his home, the Garden. He starts out on a long expedition — determined never to return again. The graphic novel’s central subject matters are nature, truthfulness and existence. Gombri is just about two hundred pages long and was released in as many copies.